Showing posts with label citizen photojournalism. Show all posts
Showing posts with label citizen photojournalism. Show all posts

30.3.10

Revenge of the Citizen PhotoJournalists II

“The important thing that a photojournalist does is they know how to tell the story — they know they’re not there to skew, interpret or bias,” said Katrin Eismann, chairwoman of the Masters in Digital Photography program at the School of Visual Arts in New York. “A photographer can go to a rally or demonstration, and they can make it look as though 10 people showed up, or 1,000 people showed up, and that’s a big difference. I’m not sure I’m going to trust an amateur to understand how important that visual communication is.”

“Can an amateur take a picture as good as a professional? Sure,” Ms. Eismann said. “Can they do it on demand? Can they do it again? Can they do it over and over? Can they do it when a scene isn’t that interesting?”

The New York Times, 3-29-10


Article link

28.4.09

Citizen Photojournalism


Welcome to the Twitterverse: NPR


Charlie Rose: Print Journalism in the Digital Age

LINKS
Koko the Gorilla Paid $500 for Self Portrait on National Geographic Cover
Koko's National Geographic Cover
Zapruder Film
Abraham Zapruder's Camera in National Archives
Arnold Hardy 1947 Pulitzer Prize Photograph
Arnold Hardy Photo Affected Change in Fire Safety
Oklahoma City Bombing
Charles Porter IV Describes Pulitzer Photograph (audio)
Aftermath of Oklahoma City Bombing
Oklahoma City: Where They Are Today
Rodney King Video
Rodney King Photographer George Holliday's Story
Los Angeles Riot Anniversary
Paul Watson Recalls Pulitzer Photograph
Paul Watson: Witnessing War (NPR Interview)
Steve Ludlum New York Times 911 Citizen Photojournalist
Steve Ludlum
Errol Morris on Abu Graib
Janis Krums: Miracle on the Hudson Tweet Heard Around the World
Low-Lying Plane Frightens New Yorkers (New York TImes)
Low-Lying Plane Photos and Video (Huffington Post)
Michelle McNally on New York Times Photography
Lightstalkers Citizen Journalism Discussion
Spotted: The Sarasota Herald-Tribune Reader Photo Gallery and Upload Page
CNN iReport
iReport Toolkit
MySpace and Fox News Launch Citizen Journalism Venture
F8 and Be There: Weegee
Sebastião Salgado
Paul Martin Lester
Award WInning Photographer Patrick Schneider Fired
Kevin Carter Obituary (New York TImes)
Kevin Carter/Bang Bang Club Film Interview: NPR (audio)

18.3.09

Newspapers Dying

Photo: Gulker.comL.A. Examiner Staff reunion
For years now, the debate about whether or not newspapers would survive has been raging, but it has gradually gone from theory to leaning toward fact that they indeed may tank. As tough as it was for me to leave my career in the newsroom, being away has allowed me the detachment to look at it differently. For the past several years, more and more of my friends and ex-colleagues from American newspapers have been shown the door.

That nagging long-running story predicting the death of photojournalism seems to have quieted a bit now that thousands of former newspaper employees are hunting for jobs. Within my time working at newspapers, I had a unique opportunity be part of the good old days. I didn't realize it at the time, but when I began working in a real newsroom those days were the good times. It's more than just reminiscing about assignment adventures and good friends, the companies that I worked for had money to invest and hire despite being notoriously cheap.

I did photo internships at the Pasadena Star-News and then at it's sister paper, the San Gabriel Valley Tribune in the Los Angeles metropolitan area. A good portion of the staffs at the papers were former Los Angeles Examiner photographers, the extinct Hearst-owned competition to the L.A. Times. I loved working with these guys. They were from the golden era of newspapers when there was still a lot of world travel, national and international bureaus, and big budgets. For me a fan of All the President's Men, Fear and Loathing in LasVegas, and that genre, it was all a bit exotic and larger than life. Besides the invaluable practical photography and newspaper photojournalism that they taught me (remember, I was a writer that wanted to be a photographer and switched near the end of college), the had great stories about covering Charles Manson, the night shift at the Examiner, a historic plane crash in Los Angeles and travels.

They were all sort of larger than life to me when I was starting out, and still are to some degree. A number of newspapers have disappeared, merged or transformed into skeletons for their former selves over my career: The Houston Post, San Antonio Light, the San Francisco Examiner, The Rocky Mountain News, Seattle Post-Intelligencer–and it looks like its only snowballing. Knight-Ridder has gone and its former stars like the Miami Herald are in deep trouble. In Florida we were always a bit hopeful because of the older population there who tended to read newspapers. It seems as they die off, the newspapers are going along with them.

When I was on a news staff, I had the hopeful opinion that newspaper would never die off despite the buzz raising the opposing position. Now, I'm not so sure. Like the rest of the news media, people just are not interested anymore. I was always annoyed that many of the young staff didn't read newspapers, a reflection of the populations. I find it interesting now that some of those people are now my friend on Facebook and have been joining a group called something like Save Newspapers. In symbolic terms, it's a sign that despite hugging that tree, the developer is ultimately going to cut it down and build his development. I'm not sure a movement by newspaper employees probably more interested in saving their jobs is enough to stop newspapers from tanking.

Keeping on the Facebook theme, I've gotten notes and pictures from old colleagues and friends both in and out of newspapers who remind me of a time when we were sort of high on the hog. One of the driving factors motivating me was repeated often by one of my best friends who I started off with in L.A. and has since left newspapers. He would say, 'more and more photographers are graduating every year from better schools than we went to, they're better and younger than us willing to work for less money.' I think that's still true, but with less newspaper jobs and newspapers themselves, I wonder where they'll turn. I've already been in the position several times telling younger aspiring newspaper photographers what it was like in the old days, and I don't even think I'm that old. With more an more newspapers dying and the never-ending tightening of the company belts, I'm sure those stories will be more fascinating to future photographers.