Last Minute Framing Blues

On opening day eve, I spent most of my day dealing with my framers from hell. It's been such a fiasco dealing with these people. Mozambique hasn't quite gotten down the idea of customer service, so it has been extra frustrating. In essence, I've been lobbying these people to hand over or just let me see my frames that they had promised me would be done last Saturday. They were finally ready to be picked up this morning. They packed them into my car quickly trying to beat the rain. When I got home and had a chance to really examine them it was a glaring mess.

First, they didn't properly mat them. They used black construction paper rather than the white bevel-cut traditional mat I had requested and paid for. Thank goodness I had my receipt with all of this documented along with their stamp (they're big into stamps in this country). Besides the "mat," there was crud inside the glass of virtually every picture such as sawdust, cardboard and paint chips, and the backs of the custom frames had been taped shut. The nominal mats were poorly cut with slice marks, crooked lines, and creases.

I returned to my framer with a Mozambican friend, who as a native Portuguese speaker with cultural prowess that I just don't have, was able to navigate through the layers of workers in the shop and get them to agree to do what they should have done in the first place. We had to negotiate the time that they would be done which was gut-wrenching because we were supposed to have hung the show this evening. They said they'd be done at 10:00 a.m. tomorrow. I'll be there at 9:00.

I told the handymen I hired to help me hang the photos to meet me at the gallery tomorrow at noon. It's going to be an incredibly busy day hanging the show and preparing the gallery for the opening reception at 6:30. I did get the keys to the gallery and I do have two big pictures that I printed for the window front in place there. So, at least there will be something to see along with wine, food, cool programs, caption boards and a soundtrack.

Press and Promotion

I've spent this week taking newly-printed posters and postcards around town. It reminded me a lot of my music days. When I was a guitarist in bands we used to spend days putting our flyers for our gigs at record and music stores, clubs and shops. My sponsor payed for the posters which turned out quite nice.

The U.S. Embassy public affairs office sent out a press release to their contacts in the country as well. My relationship with a member of the embassy has been a slippery slope. Because of nepotism rules, I'm bot eligible for a lot of benefits. For instance where they might bring in and pay a photographer to speak, I cannot do it (at least I can't be paid). I am not eligible for funding and various programs. However they have asked me to do a number of things and have taken advantage of my being here. In this case, they're able to promote themselves and American journalism, etc. by helping promote my exhibit. Since the people there are new (the staff arrived when I was away on my sick leave) I am comfortable with their involvement since they expressed interest on their own.

A friend of mine, Carlos Litulo, a Mozambican photojournalist who works for AFP and is with Redux, took me around town yesterday to line up interviews and press coverage with the local newspapers, radio and television stations. I'm a bit nervous because they were all interested and I'll have to sit down for interviews in Portuguese which I can speak but not terribly well. I imagine I sound like a little kid to most native speakers. It should be interesting.

I've also made multiple trips to the printer who is working on the exhibition program. It's been a bit of a hassle because it's out of the way to drive to. They've had some trouble with the size of the pages and then, oddly, the amount of pages. It's 28 pages, but for automation purposes, they needed it to be 24 pages. They took the liberty of redesigning it which we firmly rejected. In the end, the agreed to print it the way we needed but will have to do a lot of manual work.

Finally with the actual show, I spent the beginning of the week changing my frames at the urging of my wife. Fortunately the framers hadn't started yet. I did measurements for a display which will have my show summary which will be in Portuguese and English. I'll have that printed and put on foam core. I also had two large prints matted on foam core which I will display in the gallery windows to increase visibility and, hopefully, draw foot traffic. They look great. I also hired a gallerista, gallery attendant, and lined up two people to hang my work, and have a bartender and two servers for my opening in three weeks.

I still have to line up a guard/bouncer for opening night which is important to me because there is a group of local artists who are notorious for crashing openings, drinking all the free booze they can and becoming obnoxious and rowdy. Essentially, I'm focused on keeping them out.